Error creating thumbnail: File missing Join our Discord! |
If you have been locked out of your account you can request a password reset here. |
Holland & Holland Paradox: Difference between revisions
(→Film) |
|||
Line 37: | Line 37: | ||
!align=center bgcolor=#D0E7FF width="50"|'''Date''' | !align=center bgcolor=#D0E7FF width="50"|'''Date''' | ||
|- | |- | ||
| ''[[Streets of Laredo]]'' || || || || | | ''[[Streets of Laredo]]'' || || || || 1995 | ||
|- | |||
| ''[[Madame Nobel]]'' || Philipp Hochmair || Arthur von Suttner || || 2014 | |||
|- | |- | ||
|} | |} |
Latest revision as of 11:46, 30 December 2021
Specifications
The Holland & Holland Paradox was an interesting design. It was a smoothbore until the end of the bores where there was rifling. At the time that it was marketed (late 19th century) centerfire rifle calibers were just coming into their own for dangerous game. The 8 and 10 gauge shotguns were considered to be the most effective against Elephant, Cape Buffalo ect, but the shotgun lacked the accuracy and range of a rifle. The Paradox design was a compromise which offered improved performance from the smoothbore design. It was very popular for many years with hunters not only in Africa and India, but in the United States, England, Canada and Australia. Eventually the larger centerfire rifle calibers such as the .450 3.25" Nitro and .500 Nitro would surpass the big bore shotguns and become the calibers of choice with big game hunters. A second hand Holland & Holland Paradox can command very high prices in today's market.
The Holland & Holland Paradox appears in the following movies, TV shows, and video games:
Film
Title | Actor | Character | Note | Date |
---|---|---|---|---|
Legends of the Fall | Brad Pitt | Tristan | 1995 | |
King Solomon's Mines | Robert Whitehead | Mr. Bitter | 2004 | |
Gavin Hood | Bruce McNabb | |||
The Wolfman | Anthony Hopkins | Sir John Talbot | 2010 |
Television
Title/Episode | Actor | Character | Note | Date |
---|---|---|---|---|
Streets of Laredo | 1995 | |||
Madame Nobel | Philipp Hochmair | Arthur von Suttner | 2014 |