Assault on Precinct 13 (1976)Assault on Precinct 13 (1976) - Internet Movie Firearms Database - Guns in Movies, TV and Video GamesAssault on Precinct 13 (1976)
Assault on Precinct 13 is the 1976 thriller that was one of the earliest directorial efforts from John Carpenter. This was his first film after the cult classic Dark Star and it preceded his breakout hit Halloween by two years. The film involves a group of police officers and citizens who are trapped in a nearly abandoned Police Precinct building in Los Angeles when a band of gang members conduct a murderous siege to avenge the death of their leader by a man who then sought refuge in the nearly empty building. The film, which bears a resemblance to the John Wayne film Rio Bravo, was not a commercial nor critical success during its initial run, since American audiences didn't know what to make of it. Eventually it became a huge hit in Europe, and later a cult classic. Many view this film as a classic micro budget thriller. It was made on a shoestring budget, but still is revered by filmmakers all around the world. A big budget remake was released in 2005, but it was not embraced by many film fans as the original has been over the last 30 years.
The following guns were used in the 1976 film Assault on Precinct 13:
High Standard K-1200 Riot Standard Model Shotguns are used extensively by police and Prison guards. They are seen in the first sequence of the movie when heavily armed LAPD officers ambush six gun toting "Street Thunder" gang members, killing all of them. This massacre prompts the 'Street Thunder" gang to essentially declare war on the Police and the citizens of Los Angeles.
One of the last leftovers in the precinct, the Winchester Model 1897 is first seen when cynical LAPD Precinct Captain (James Jeter) pulls one out of a leftover wooden crate and loads it, foreshadowing that newcomer Lieutenant Ethan Bishop will probably need it before dawn. The Winchester Model 1897 is extensively used by Napoleon Wilson (Darwin Joston).
Error creating thumbnail: File missingWinchester Model 1897 - 12 gauge. This is an imported copy of the non-take down version of the Winchester 1897 Shotgun (a Norinco 97W shotgun, imported by IAC).Error creating thumbnail: File missingPrecinct Captain (James Jeter) picks up a vintage Winchester Model 1897 from a wooden crate, one of the last items to be shipped to the new precinct - 12 gaugeError creating thumbnail: File missingPrecinct Captain (James Jeter) loads up the Winchester Model 1897 when he talks about the crime ridden area they are in - 12 gaugeError creating thumbnail: File missingNapoleon Wilson (Darwin Joston) uses the Winchester Model 1897 for the rest of the film - 12 gauge. Though similar to the later Model 1912, the receiver of this gun and the exposed hammer indicates that it is indeed a Model 1897.Error creating thumbnail: File missingUtilizing the slamfire feature of the Winchester Model 1897, Napoleon Wilson (Darwin Joston) fires groups of two or three shots in rapid succession at the attackers. It is assumed that he reloads often, however, this is done off screen. In an interesting shot, the actor actually (slightly) burns his left hand because he fires so many shots in rapid succession.Error creating thumbnail: File missingNapoleon Wilson (Darwin Joston) awaits the final onslaught with his Winchester Model 1897 shotgun - 12 gauge.
Colt AR15-SP1
The civilian counterpart of the first variant Colt AR-15 Sporter-1 is used by the gang "Street Thunder". Colt sold this semi-automatic version of the first pattern M16 for years after the military had already upgraded to the A1 version. Only years later did Colt start selling the civilian rifle with the additional features of the M16A1. In one scene we clearly see that the rifle is an Colt AR15 Model SP1 rifle due to a nice closeup of the lower receiver.
Error creating thumbnail: File missingThe original M16 - the military version of the AR15 SP1 rifle - 5.56x45mmError creating thumbnail: File missingWhat started it all. An Asian gang member walks slowly down a dark alley with a stolen "M16". Though with a group of other gang members of various races, he and his cohorts will be gunned down by LAPD officers lying in wait with shotguns - 5.56mmError creating thumbnail: File missingThe "White Warlord" (Frank Doubleday) of the apparently multi-racial gang "Street Thunder" can be seen in the back of a cruising car, ready to affix his 'suppressor' to his AR15 - 5.56mm. It is definitely a real AR15 SP1 rifle due to the threaded barrel end. In the front passenger seat "Black Warlord" (James Johnson) affixes a suppressor to his C96 Broomhandle Mauser pistol.Error creating thumbnail: File missing"White Warlord" (Frank Doubleday) cruises for a suitable target with his AR15 SP1 rifle (masquerading as a military M16 that was stolen from an armory), with a suppressor and an ART I scope - 5.56mmError creating thumbnail: File missingA close up of the Colt marked AR15 SP1 receiver - 5.56mm
Adler-Jager AP74 Rifle
The .22 LR clone of the M16/AR-15 rifle is seen in the gang's headquarters after the weapons theft. Normally a film of this time period would use the MGC Replica M16 rifles, however, the round 'doughnut' shape of the hand guard ring indicates that these are the Adler-Jager AP74 rifles.
Seen originally in a crate of stolen weapons, the Mauser C96 features prominently amongst the gang members, with some of them having 'silencers' affixed on the barrels. (Note: these so called 'silencers' were would only lower the decibels a little bit, being too short and small). The C96 'Broomhandle Mauser" pistol also featured prominently in the most controversial scene of the film, the gunning down of a little girl, which prompts the entire evenings' events.
Error creating thumbnail: File missingC96 Broomhandle Mauser - 7.63x25mm MauserError creating thumbnail: File missingAt the beginning of the film, we see the crates with the stolen weapons. Prominent among them is a crate with a group of C96 Broomhandle Mausers, identifiable by the shape of the pistol grip and the slot for the C96 Buttstock - 7.63x25mm MauserError creating thumbnail: File missingA group of warlords for Street Thunder cruise for victims. Seen are the white, black and Chicano warlords. An additional gang member is seen in the back with a plain C96 Mauser Pistol, while the Black Warlord affixes a 'suppressor' to his C96 Mauser - 7.63x25mm MauserError creating thumbnail: File missing"White Warlord" (Frank Doubleday) shoots with his suppressed C96 Mauser Pistol - 7.63x25mm MauserError creating thumbnail: File missing"White Warlord" (Frank Doubleday) shoots the injured ice cream truck driver with his suppressed C96 Mauser Pistol - 7.63x25mm Mauser. The slide locks back after only three shots, indicating that he had only three shots left in his pistol.
Smith & Wesson Model 36
A Smith & Wesson Model 36 Chief's Special Snub is seen in a holster under the steering wheel of an Ice Cream truck. The driver has it for self protection and eventually (with his dying breath) tells Lawson (Martin West) about the gun, so that Lawson can avenge the murder of his little girl, Kathy (Kim Richards).
Error creating thumbnail: File missingSmith and Wesson Model 36 - .38 special - 5 shotError creating thumbnail: File missingHidden beneath the steering wheel of the Ice Cream truck is a Smith & Wesson Model 36 snub nosed revolver - .38 special. Though we can see bare metal, due to the wear and tear on the revolver, it is not a stainless steel version since we can still see the bluing on the frame. Since it has the diamond grips it probably dates back to the fifties or early sixties.S&W went away from the diamond grips in the late sixties.Error creating thumbnail: File missingIn his insane grief, Lawson (Martin West) uses the driver's Smith & Wesson Model 36 to gun down the gang member who murdered his little girl - .38 special
Colt Trooper
LAPD Sergeant Chaney (Henry Brandon) carries what appears to be a Colt Trooper, though it is hard to determine. The Medallion on the grip (upon several viewings) appears to be the silver Colt Horse, and not the brass S&W medallion) as well as the style of the grip. One of the ill-fated Prison Guards at the beginning of the film also carries one.
A Street Thunder gang member enters with a 'silenced' revolver, though in real life a suppressor would not work on a revolver. He is knocked down and the gun is taken by convict Wells (Tony Burton) and used throughout the rest of the film. The revolver is a Smith & Wesson M&P (the precursor to the Model 10) with its front sights removed and barrel tip threaded to take the small suppressor.
CHP Lieutenant Ethan Bishop (Austin Stoker) uses a 4" barreled Smith & Wesson Model 28 Highway Patrolman, which he carries as part of his duty belt. The revolver is later used by Leigh (Laurie Zimmer) for the rest of the film. Having been shot in her right arm, Leigh must fire the Model 28 in the final battle with her left hand, even though she is right handed. At the beginning of the film, Starker (Charles Cyphers) also carries one before he is killed. Smith & Wesson did not start manufacturing the Model 27 with the four inch barrel until 1979. Before then the shortest length the Model 27 had was 3.5". It's very distinctive looking from the 4" barrel. Since the movie was filmed in 1976 it would have to be the Model 28.
Brief glimpses of Smith & Wesson Model 15 revolvers are seen. One is carried by the LAPD Precinct Captain (James Jeter) in his holster, but it is never pulled. The Smith & Wesson Model 15 was the standard issue revolver for all L.A.P.D. officers in the seventies. Carried by one of the ill-fated Prison Guards and by the Motorcycle officers at the end of the film.
Error creating thumbnail: File missingSmith & Wesson Model 15 Revolver - .38 SpecialError creating thumbnail: File missingSeen briefly, LAPD Precinct Captain (James Jeter) has a S&W Model 15 in his holster - .38 special. Note: This is an educated guess since it is never drawn, however, multiple viewings seem to reveal the gold S&W Medallion on the grip, so the Model 15 is a good bet.Error creating thumbnail: File missingThe LAPD Precinct Captain (James Jeter) prepares to leave the station to Lt. Bishop, his S&W Model 15 holstered - .38 specialError creating thumbnail: File missingSeen briefly, one of the LAPD motorcycle cops has a S&W Model 15 when he enters the smoke filled precinct - .38 special
Notes
Controversial "Ice Cream Scene"
When the film was first released, the MPAA at first threatened to brand the film with an "X" for violence if they did not remove the scene where "White Warlord" (Frank Doubleday) callously shoots the little girl, Kathy (Kim Richards), when she goes back for a different flavor of ice cream. This cold-blooded shooting still manages to shock viewers today, however not as much as it did back in 1976.
Error creating thumbnail: File missing"White Warlord" (Frank Doubleday) shoots Kathy with nary a word, with his suppressed C96 Mauser Pistol - - 7.63x25mm Mauser. This scene shocked audiences in its day and still manages to shock viewers today due to its inhumane and cold blooded nature.Error creating thumbnail: File missingKathy (Kim Richards) reacts to getting shot in the chest when she merely asks for a different flavor of ice cream, in one of the most controversial cinema scenes of its day.
Trivia: CHP Uniform
The California Highway Patrol has long maintained that filmmakers must get official approval before showing any actor or character as a member of the CHP. Thus any film that portrays the CHP, must use different insignia and badge emblems, in order to not violate the CHP's copyright of their image. Lieutenant Ethan Bishop (Austin Stoker) wears a generic uniform, that has patches that merely say "Highway Patrol" with no reference to the state of California (also the patches are about four inches too low on his sleeves). His badge is a plain gold badge with no markings whatsoever, again done to appease the CHP. (Trivia note: the television series "CHiPs" was done with the full cooperation and approval of the California Highway Patrol, and even then their uniforms had to be slightly different than the real thing, due to the strict rules of the agency).
A vintage movie poster for the film - this one was a common one in the United State during the time of the film's release. Many movie posters of the time still incorporated artwork versus photography in their design.Error creating thumbnail: File missingA vintage movie poster for the film - this one is much grittier and evokes a grindhouse' feel. The pulp nature of the artwork is indicative of the time period.
