The Last Marshal: Difference between revisions - Internet Movie Firearms Database - Guns in Movies, TV and Video Games
The Last Marshal: Difference between revisions
[[Image:TheLastMarshal-MP5K-14.jpg|thumb|none|600px|A closer view of the SP89 as Torres jumps into the shattered back window of a car driven by T-Boy.]]
[[Image:TheLastMarshal-MP5K-14.jpg|thumb|none|600px|A closer view of the SP89 as Torres jumps into the shattered back window of a car driven by T-Boy.]]
[[Image:TheLastMarshal-MP5K-15.jpg|thumb|none|600px|A blurry close-up perspective shot as Torres fires the SP89 from the back window of the escape car.]]
[[Image:TheLastMarshal-MP5K-15.jpg|thumb|none|600px|A blurry close-up perspective shot as Torres fires the SP89 from the back window of the escape car.]]
The Last Marshal is a 1999 action film starring Scott Glenn as a veteran Deputy U.S. Marshal who, while nearing retirement, becomes involved in a hostage situation and standoff that leaves multiple federal agents and civilians dead in a Texas small town. He follows the perpetrators to Miami, Florida, where he learns that they are affiliated with a local drug lord. While in Miami, the Marshal works with local law enforcement and offends nearly everyone he meets with his foul-mouthed, racist rants. The film was released direct-to-video in the United States, likely due to its politically incorrect protagonist and lack of big-name actors. However, besides Scott Glenn and Constance Marie, the film is notable for starring a number of respected character actors, notably William Forsythe, Wayne Duvall, Raymond Cruz, and John Ortiz.
The following weapons were used in the film The Last Marshal:
A 6" barrel Colt Python with ivory grips is the main sidearm of Deputy U.S. Marshal Cole McCleary (Scott Glenn) throughout the film. He sometimes uses the gun to play Russian Roulette with suspects.
Pistols
Tanfoglio TA-90 "Baby"
A Tanfoglio TA-90 "Baby" with aftermarket white aluminum match grips is Deputy U.S. Marshal Cole McCleary (Scott Glenn)'s secondary sidearm in the film, carried in a cross-draw holster on his right side.
Taurus PT92 AFS
A two-tone Taurus PT92 AFS is used by T-Boy (Raymond Cruz) as his sidearm in the film. A regular black Taurus PT92 is also used briefly by Deputy Marshal Pitts (Morgan Margolis) while in a standoff with T-Boy. PT92s sometimes replace Beretta 92FS pistols carried by various federal agents and other characters in the film.
Beretta 92FS
The Beretta 92FS is the most common pistol seen in the film, used by nearly all of the various law enforcement agents and bad guys alike, notably Deputy Marshal Rosa Sanchez (Constance Marie).
Unknown compact pistol
Jaime Randall Batinkoff carries an unknown compact nickel-plated pistol with pearl (or pearlite) grips as his sidearm, which is never seen clearly. During the shootout at Remy DeClerc's (William Forsythe's) house, it appears that DeClerc himself also dual-wields this pistol, along with a Beretta 92FS taken from one of his henchmen. The pistol seems to resemble a Star Model BM, but is not seen closely enough to make a good identification.
Shotguns
Remington 870
Deputy U.S. Marshal Cole McCleary (Scott Glenn) uses his Remington 870 to blast through the doors of the church during the opening standoff/shootout at the beginning of the film.
Winchester Model 1887
In a deleted scene (which does not appear in most edits of the film, but which can be found on YouTube), McCleary is seen holding a Winchester Model 1887 shotgun. In another deleted scene (which appears only on early VHS prints of the film), he is seen using the Winchester to threaten some drifters who are taking refuge in his barn.
Submachine Guns
Heckler & Koch SP89 (mocked up as MP5K)
Throughout the film, DeClerc's henchmen are seen using Heckler & Koch SP89s fitted with MP5K vertical grips and converted to full-auto (in order to resemble genuine MP5Ks). Torres (Vincent Castellanos) uses one of these weapons in the opening standoff/shootout at the church, which is missing its foregrip. He later uses another during the climactic shootout at the end of the film.